How To Become An Actor Who Works on Film Sets for a living and gets all your acting roles from being on set

Imagine starting your day, walking onto a film set, coffee in hand. You’re either in front of, or behind the camera. You make your living working in the film industry.

If you’ve ever watched a movie and said, “I could have done that role!”

Yes you could.

I’d like to answer some things that may be going on in your head keeping you from the creative life you want:

Does it feel unrealistic to work in film? Like you’re getting in too late?

If everyone felt that way, no one would work in film. Millions make their living in film. There are people of all ages on set, from 20s to late 60s. We all just work together.

People always think feature films & TV, but there’s also the emerging markets of documentaries, commercials, vertical TV series, events, video podcasts, content for social media. It’s the entertainment industry and it’s huge. If you want to work in it, you can. I’ll show you how!

Think you aren’t qualified?

If you have a great attitude, that’s all it takes. You don’t need go back to school. Everyone on film sets learned by doing and you will too.

What about getting into producing or directing?

You certainly can learn anything you want to. You’ll be around different producers, directors, and writers so you’ll have plenty of people to learn from, seeing it all with your own eyes.

What about if you have kids?

Great! 90% of people on set have kids, even newborns. What is typical is 12 hour days, but it’s also typical to only work 10-15 days a month. You’ll find you have more time available that you do working Monday to Friday.

What if there’s no shoots where you live?

Drive within 3-4 hours around you and you’ve got plenty of film sets to work on.

I reveal the entire system in the book INSIDE ACTOR.

All of my actor students have gotten principal roles in major TV or feature films from being on set. Before, they had tried auditioning and got nowhere!

The cool thing, they didn’t even audition for the roles. They were working alongside people who had a film coming up and told them, “You should do this role. I’ll send you the script!”

This isn’t background!

When I say work in jobs on set, I’m talking about starting in the beginning jobs where you get taught the crafts. Where you’re behind the camera with the crew.

I’m not talking about doing background acting. Doing background, you go back and forth to holding. You don’t get to be part of the crew.

You need to form relationships, so you’ll want to be doing a job where you can walk freely around set, helping people, and asking questions. You are helping the set run smoothly!

Your film friends hook you up and you get in front of the camera all the time!

Here’s Some of What You’ll Learn Inside the Book:

You’re going to learn this system to get on shoots and find acting opportunities from being there! It doesn’t matter whether you have experience or not. It doesn’t matter if you have no connections! Everyone who became an Inside Actor came in knowing nothing and knowing nobody!

I’m going to teach you a system to find your first 20 shoots. You got to get on sets to start to learn how to be helpful, make things run smoothly, and get exposure to the different crafts you might want to do in addition to acting.

What jobs behind the camera might be a fit for you! It doesn’t matter what you’ve been doing in your ordinary life. What matters is what you want to learn. Because school or not, everyone learned that job on set, so you can start from scratch and learn whatever interests you!

Learn how to use film sets to accumulate clips of you acting, for Actors Access, Casting Networks, and Spotlight. Film sets will give you what you need. You don’t build those clips before getting on set, you get on set and then you build those clips!

What are the starting jobs if you want to produce, direct, production design, etc. so you can see the path, but most importantly, so you can hang out with those people on set to learn from them!

Oh oh. Are you SAG? Union acting work is dwindling. Productions are going non-union and the the traditional acting path is obsolete. That’s OK, I’ll show you how to keep building your career from your relationships on set. Most SAG actors don’t have these inside relationships that give them a steady source of roles!

I’ll show you what the heck you do on these sets. I’ll tell you what to do them moment you arrive on set, so you look good, help the production, and get asked back.

Resumes. How to build them for acting and a 2nd one for on set work.

The Do’s and Don’ts of professional film sets. Film industry has so many unspoken rules. I’ll share them all with you.

Scams. The friggin bane of my existence and yours! When you understand how production works, those scams will seem ridiculous. You’ve got to understand how things work! Then, it’s so easy to tell what the scams are!

How to make it all work if you have kids, limited time on your hands, and can’t always commit to being on set.

Why you are never too late! Tou can work on film sets at any age, any look, any size, any ethnicity! They need people who look like you! Don’t hold yourself or the world back from what you have to give!

What these jobs on set pay. OK, I’ll tell you. Minimum rate in the departments on set is $650/12 hours. Great money.

And so much more… but that should help you see what you need to know!

This book will get you going!

There’s a huge world out there of shoots, people, ideas, and stories. Do you want to be a part of it?

It’s mostly about having good energy—not about what you’ve done.

People will hire you just because they like you! They want to spend 12 hours a day with you on set!

Every production needs actors. When you’re already on set, you’re a natural choice.

It’s the way the industry works—friends hire friends!

Interested? Of course you are! This is damn exciting!

Get your copy of Inside Actor today and start the most exciting chapter of your life.